Who I Am
I’m an educator, adventurer, facilitator, experience builder, and pirate 🏴☠️ who thrives in uncharted waters, navigating the seas of art and culture with a treasure chest of strategic smarts and playful innovation.
I coach curious people and their organizations to dance with uncertainty and change by designing surprising experiences that productively encourage people outside their comfort zones. Imagine a team retreat where artwork inspires empathy for someone else’s struggles, or a mischief-filled, mysterious activity that sends people home thinking, ‘I never thought I could do that!’
My compass headings for these adventures are my core values: collaboration, curiosity, playfulness, and strategy. As an empathetic listener and an adaptive leader, I steer clients toward impact with clear communication, rogueish fun, and wonder.
(pronouns: she/her/hers)
⇑ That’s the how it’s going bit. ⇑
⇓ Here’s how it started. ⇓
Before setting sail on my own, I spent two decades navigating the art world, from my quiet campus art museum—the Davis—to busy urban ones like the Brooklyn Museum and the Guggenheim*. I’ve lived and worked in multiple countries, in a couple of languages. I’ve taught grad students who opened my eyes to new realities and also four year olds who gave me unfiltered sass about Cy Twombly. I’ve sat on professional boards, introduced teens to their first fresh-baked Parisian baguettes, and mentored up down and across my field. I’m also a great storyteller. Ask me about the time I held a lost Leonardo da Vinci painting.
And before all of that, I was a precocious ham of a kid who loved reading and dancing and community theater, and who never quite saw the point of doing things the way everyone else did.
*(and plenty more besides)
in the Colorado Rocky Mountains
Aspen Art Museum
in and around New York City
Solomon R. Guggenheim Museum
Pratt Institute
Brooklyn Museum
MoMA
the Met
in and around London
Dulwich Picture Gallery
The Courtauld Gallery
Westminster School
Charleston
internationally
Smarthistory/Khan Academy
ACIS Educational Tours
Context Travel
Choose Your Own Bio
None of us can capture our essence in a bio, but in addition to the above, here are three different takes on how I put myself out into the world, all of them true.
(Or download my résumé if you want that kind of bio, too.)
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Rachel Ropeik is a cultural catalyst and pirate who works with equal parts wisdom and whimsy. From navigating the halls of the Guggenheim, Brooklyn Museum, and MoMA to charting her own course as a consultant changemaker, she blends thoughtful disruption and playful innovation to work with cultural organizations and individuals.
Rachel coaches curious people to dance with uncertainty and change. She leads adaptively, empathically, and with refreshing directness and humor. Working with her promises to surprise you.
Many kinds of nerd, Rachel fuels her practice with dance, baking, and global adventures—Antarctica remains her only unvisited continent... for now.
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Start as an undergraduate Print Room Assistant at the Davis Museum at Wellesley College.
Head south to New York City to work in various art world jobs as an appraiser and a researcher and a gallery director.
Continue until you pass Rika Burnham’s Conversations with Art program pilot with staff of the Metropolitan Museum of Art where you spend whole lunch hours with single works of art.
Turn right and head east across the Atlantic Ocean until you reach the Courtauld Institute of Art for grad school.
Cross the archway to the Courtauld Gallery for freelancing with various audiences.
Continue through London with stops at Dulwich Picture Gallery and Westminster School.
Detour south to the countryside to lead historic house tours about the Bloomsbury Group at Charleston.
Carry on with southern detour until you are leading groups of American teenagers around Paris and throughout France for ACIS.
Turn left and head west across the Atlantic Ocean until you reach the Brooklyn Museum Education department.
Continue straight at Brooklyn until you have held all jobs in the School Programs Department and learned a great deal about museum teaching and social justice.
Head north across the East River into Manhattan until you find other museums including MoMA to freelance at alongside your full-time job.
Fork slight right to working with adult audiences at the Guggenheim.
Continue running the Guggenheim’s Public Engagement Department until you have brought new approaches to all the adult programs that are free with admission.
Turn left and follow signs for points west and Colorado until you arrive in Aspen.
Merge into Aspen Art Museum as Learning Director.
Veer sharp left and right and detour to lead a department through COVID-19 closure, digital learning, socio-political reckoning, and cautious reopening. WARNING: unpaved road.
Take the exit for resignation after irreconcilable differences with circumstances in Colorado.
Drive east to Massachusetts until you reach a base for independent business that equips you for the work you want to do with clients who inspire you.
You have arrived at your current destination. -
My whole life I’ve been a curious and stubborn Aries. ♈️
Snapshots of my childhood are full of outfits made from scraps of sequined fabric and tin foil, engrossing visits to the local Audubon Society working farm, and as many books as I could get my hands on. A family-favorite piece of lore holds that at age 3, after an early life of overalls and non-gender-coded toys, I came downstairs and decreed I would only wear pink dresses from then on. Which I did. For years. 🎀
I put mustard on my pancakes. I went trick-or-treating as a candy bag for one meta-style Halloween. I started ballet lessons with a load of other little girls, and then kept dancing for the rest of my life. 🩰
I was the nerd kid who made up games and wrote poems to get bonus points on her homework AND the rebel kid who organized all the girls in her middle school social studies class to start intentionally interrupting the boys as much as they interrupted us. 💪🏻
I came to awareness of my privilege WAY later in life than should be the case for anyone, and I’m committed to do what I can as a cis white woman to share and make and give up space for marginalized folks. 🤜🏻🤛🏾
And the whole time, I’ve loved pirates. From animated Captain Hook and the Dread Pirate Roberts to Jack Sparrow and Jack Shaftoe; from Firefly and Black Sails to Be More Pirate and a whole shelf of dry academic books on piratical history. 🏴☠️
I’ve worked in so many institutions that have been mired in traditional, fear-based systems, with people in power afraid that if things change, they’ll lose that power. And yes, there will be power shifts, but they’re coming no matter what, because the world doesn’t stand still. 🌍
So who better to help tackle that change and be alongside it than someone who’s spent a whole lifetime figuring out ways to bend and break and change the rules that didn’t work? For that, you need a pirate. ❤️🔥
(the black flag of this Art Pirate)
Join my bold buccaneer brigade!
You'll get one or two pirate treasures (newsletters) each month.
Think of the content as clever tactics and graceful roguery for culture carriers charting their own course.
I'll never share your info (that goes against my pirate articles), and you're free to unsubscribe from this crew at anytime.What It’s Like to Work with Me
Imagined “Ideal Job Titles” Suggested for Me by Colleagues
Investigator of All Things
Senior Vice President of Moving People
Chief Visionary Operator
Innovation Igniter
Super Connector
Creative Community Connector
Adventure Facilitator
Director of Surprise and Delight
Director of Strategic Education
Museum Engagement Connector
Director of Special Projects
Creator in Chief
Engagement Director
Chief Empathy Funkster
Museum Innovation Consultant
Curator of Prismatic Experience
Creative Conspirator
Director of Education Innovation
Qualities Colleagues
Associate With Me
Skills Colleagues
Associate With Me
The above were generated from a survey I sent out to 500 professional contacts.
Why Pirate &
My Pirate Articles*:
In an era of colonial imperialism, pirates broke free from oppressive norms and made their own rules. Like those sea raiders, I seek collective, independent, new ideas.
Here are some resources that inspire and guide my work.
*When sailors formed pirate crews, starting in the 17th century, each crew agreed on a unique set of pirate articles as their code of conduct for governance, discipline, division of goods, pay-outs in case of injury, and more.
Deepa Iyer’s Social Change Ecosystem Map
Peabody Essex Museum’s PlayTime exhibition
Be More Pirate movement
Hayao Miyazaki’s Ghibli Museum manifesto
Tema Okun & Kenneth Jones’ Characteristics of White Supremacy Culture
Brian Eno & Peter Schmidt’s Oblique Strategies
MASS Action Toolkit
Maria Mortati’s Elastic Manifesto
Sister Corita Kent’s Rules & Hints for Students and Teachers
Around the Web:
Here are some of the ways I show up in the public record for the work that I do.
I speak confidently and dynamically, and I’ve been presenting to groups large and small (in person and online) for more than 15 years.
The Velveteen Museum at
2026 AIC-CAC Conference
A talk I was invited to give at the 2026 joint conference of the AIC (American Institute for Conservation) and CAR-ACCR (Canadian Association for Conservation of Cultural Property-Association canadienne pour la conservation et restauration des biens culturels).
I was invited to speak to an audience of conservators about alternative ways museums might conceive of value, accepting some damage in the name of more meaningful visitor experiences.
"Pirate" Energy in a Structured World on
It’s All Poetry Podcast
Nicole Cloutier and I adventure through the history of the word pirate, exploring pirate codes, the difference between stealing and venturing, and what it really means to be a pirate with a heart in today’s world.
Supporter Spotlight on Rob Walker’s “The Art of Noticing” Newsletter
Rob Walker runs a monthly Supporter Spotlight series on his newsletter, The Art of Noticing. I was featured in June 2025 with the summary:
On being "many kinds of nerd," sketching your reading list, unconventional art tours, and (especially) pirates
✌️ A Chill Treatise on Mood Reading on
Pleasure Reading Podcast
Amelia Hruby and I unpack the concept of "mood reading" and share a few of the moods that inspired our recent reads. Tune in for over a dozen vibe-specific recs.
Reacting to Art with Our Bodies on
The Art Engager Podcast
Claire Bown and I talk about how movement can be a spectrum of experience (it’s not just the scary idea of having to improvise an interpretive dance).
Campfire Sessions on
Museums As Progress Community
I hosted these monthly virtual sessions for members of the Museums As Progress community in which I spoke with a guest expert on that season’s community theme (i.e. imagination / listening / gathering). Some of my guests were:
Dina Bailey • John Bela • Abraham Burickson • Megan Dickerson • Anne Ditmeyer • Jeffrey Linn • Christian Long • Dr. Porchia Moore • Mimosa Shah • Dana Mitroff Silvers • Daniel Stillman
Visit the community (campfire conversations are private for members)
Slow. Look. Live. on
Aspen Art Museum Instagram Reels
A weekly series of Instagram Live sessions with me and a succession of artists, curators, educators, and activists about creativity. Created during the first lockdown, this series became a diary of creative life during the first 6 months of the COVID-19 pandemic. Some of my guests were:
Damien Davis • Jeffrey Gibson • Keonna Hendrick • Lauren King • Sahra Motalebi • Carrie Mae Weems
“Fail Fast, Fail Furious: Pittsburgh Drift"
Ignite talk at MCN 2017 in Pittsburgh
A 5-minute talk with auto-advancing slides in which I put my experimentation money where my mouth is and asked a whole bar full of conference attendees to do rapid-fire, participatory experimental activities. This high-energy event is the much-anticipated opening of the Museum Computer Network annual conference each year and sets the tone for the whole gathering.
I recorded conversations about art objects while standing in front of them in various international museums. Those conversations are edited with corresponding images to serve—along with informative essays—as a free, multimedia online platform as part of the Center for Public Art History.
Smarthistory multimedia content
A Gentleman’s Agreement: Conventions of Dress and the Male-Male Gaze in Haussmann’s Paris
My Courtauld Institute of Art Master’s dissertation about menswear, queerness, and identity in 19th century Paris. In which I invent the word “homosartorial”.
Adventures:
Adventure doesn’t always mean travel, but the uncertainty and immersion of being somewhere new—especially on my own—always expand my horizons and cultural humility.
I have a life goal to visit all 7 continents (only Antarctica remains).
worldwide sites I’ve visited
guide to one of my favorite places for your next trip to Iceland
itinerary of my 2022 2.5 month solo road trip, RSR Sees the USA
Want to follow my adventures?
Want to follow my adventures?
Join my bold buccaneer brigade!
You'll get one of each pirate treasure (newsletter) each month:
- Recs for Successful Pirates: a short write up of a recent business lesson
- Updates from the Captain's (B)log: a longer piece reflecting on how to do business differently